Holly and John with their new friend
THE SYDNEY SCENE
Okay, so we have not met blogging requirements for
actually blogging as you go along.
But we have taken old-fashioned notes in a moleskin
notebook (they claim Hemingway used to use such books for his short stories)
and it slips in your back pocket so you can easily update whatever jottings fit
the moment. I’ve got 135 pages of notes,
some of which only I could possibly read.
We are in Botany the night before our travel back east
across the Tasman Sea en route to the International Date Line to San Fran and
Dulles and back to work in Virginia.
We are at the Captain Cook Hotel and, as I entered
on Sunday evening, I noted that the adjoining bar has topless waitresses, and
asked Holly if she’d considered this fact when she booked this hotel; she said,
“You know they don’t work Sunday night.”
True enough.
By way of summary, Sydney is a happening place, just
exploding, original architecture, imaginative events, revived old
neighborhoods, and the harbor captures the curious child in the most hard-nosed
travelers.
We changed our lodging four times since we
disembarked the Sea Princess on Monday at the Sydney Port.
It may not sound like fun but it was searching for
lodging in between doing other things in what is the spring-summer high season
in Australia. It made you feel that you
were part of the back-packing community, nodding to passersbye on the street, weighted
down with their “stuff,” looking for their next night’s home, although we
stayed in doubles with tv, wifi, etc., and that’s not where most of the
backpackers find themselves.
When I ran in the morning, I’d take my papers (passport,
credit card and map) and drop in if the places I saw looked interesting. We got to see several great neighborhoods
this way.
Holly and I each had a big bag and two carry-ons
with whatever else we needed. So we made
the move once we had a place pretty efficiently. The only place that was set somewhat before
we arrived was our last night with the modestly dressed waitresses at the
adjoining restaurant. Holly confessed
she had not known that fact, the topless aspect, when she booked.
We could only get a taste of Sydney much less
Australia in the brief interval we allowed ourselves. We still planned three out of the City
adventures and others in and close to the City.
We thought shoe leather and using it was the best tact to see as much as
possible.
FEATHERDALE
On our Tuesday here, on 12/4/12, we left the City
for nearby Blackton, a 40 minute ride from the Central Train Station, just
blocks from where we were staying, traveling west of the city to visit the
Featherdale Wildlife Park.
Again, it was how to see something we might not
otherwise see and that would be near Sydney.
We’ve all seen Koalas at a distance – in pictures or
videos – but not up close and personal.
Since we don’t have the time to consider whether we’d swim off the
barrier reef up north, we thought we’d hug – if we could – a Koala
instead. Thus, the choice of Featherdale.
(Plainly, we didn’t get enough bush and wild animals
in New Zealand – though I expect these Koalas will be quite used to people –
and more accessible to touch at least.)
By the by, while I’m sitting waiting for our train,
I noted a lot more tattoos, all about, can’t help but notice them, and quite
elaborate drawings, brilliant colors, and large, on the arms, back of the neck,
chest, shoulders, legs, ankles, wrists, feet, and I guess more places than I’ve
been able to see.
But I’m most impressed, as I’m waiting, with this
fellow with one of those underwear shoulder shirts, exposing an overarching cross
at the top of his bare shoulder radiating broad emanations of light (lines)
down his wide right arm, showering illumination upon an upwardly looking loving
Jesus, seemingly pained by his fated destiny, reflected in his crown of thorns.
(Imagine the ongoing meditation, in the seconds,
minutes, perhaps even hours, as those images were inflicted with inky needles into
his skin, and the physical inconvenience and pained commitment to have this
“artful” memorial done to one’s flesh.
Did he consider having God or the Holy Spirit instead? Why
Jesus? Does he subscribe to a Trinity
(three manifestations of God in one), and, if not, and Jesus is not divine (as
was the view of Thomas Jefferson), did this fellow navigate some spiritual
acrobatics to make sense of it? Of
course, it’s as likely he just did it, on an impulse, got the tat, and has had
not a single thought of its significance, religious or any other way, but that
it looks “cool.” And plainly modern
religion, in its emphasis on Jesus, finds comfort and understanding with the
conception of a God made flesh, you know, like us.)
Time to board.
Featherdale was once a poultry farm and a private
wildlife park since 1972, after fighting back developers who had other ideas
how to use the land.
I mentioned Koalas but we also wanted to find
another charismatic creature, Big Foot.
No, I’m serious.
Roos bear the latin name, “macropods,” and that means “Big Feet.” Their tail is balance for hopping and
fighting, and serves like a fifth leg when they are grazing. Sure enough, when we arrived, and walked into
the first enclosure, we met pointy nosed roos, wallabys. We posed with them as they were walking and
hopping all around us. One female had a
“joey” in her pouch, sucking at one of her four teats, in his home for the next
9-12 months, having crawled up mom’s stomach.
We then took off to hang out with the Koalas,
another marsupial, seen on most ads and many postcards having to do with
Australia. They eat the leaves of my
favorite wood tree, the rainbow trunked Eucalyptus, sleep 18 hours a day so we
found several sleepy ones. Like the
roos, after 30 days of gestation, their young spend 7 months in the Koala’s
pouch. The Southern Koala is larger,
with thicker fur, and the Northern smaller with paler grey and shorter
fur. They appear quite friendly and we
patted several but were warned they could bite and have claws you have to
respect. Still we found them cuddly We have other pix than above when we patted, petted and got closer to these adorable creatures..
We visited the endangered large eared nocturnal
bilbees, Bondi coots, that look like mice and burrow.
There was also echidnas who remind you of porcupines
with long snouts that make you think of platypus (-pi?).
We spent extra time watching the bonehead
crushing Tasmanian devils, a ferocious
looking creature to behold.
We didn’t know there were albino Kangaroos, or that
Dingoes appear to be as friendly as German Shepherds but we didn’t these this
questionable premise.
A strange looking creature is the Wombat, a stubby
square nosed furry gray creature that appears quite formidable and that we
touched most gingerly.
Another longevity contender was a massive saltwater
crocodile named Ngukurr, after the aborigine tribe where he was found on the
Roper River in the Northern Territory.
As for evolution, crocodiles, we were told, haven’t changed in 200
million years.
THE SYDNEY OPERA
That evening, when we made our way back to Sydney,
we went to the Sydney Opera. You’ve seen
it at a distance and Australia refers to it as a Sydney icon.
It appears dramatically different and imposing when
you get up close, when you approach the multi-sailed building, set off from the
land by hidden walkways and shops and long extended ascending stairways that,
at a distance, appear like sloping hills to the building.
Holly reclined on the stairs at our approach to one
of the sail shaped components of the Opera, and it was as if Holly was leaning
back on a hillside, even a sand dune, part way up to the crest.
The categories of architectural and design surprises
are the high ceilings, almost entirely glass walls, somewhat concealed stairways
between levels, the play of light and shadow, with striking wall hangings, and sculptures. The views from within and without are
mesmerizing of the port, other parts of the building, the people gathering,
talking, sitting, standing and walking.
The food and drink vendors inside are in the round
and elaborate and enticing with lots of crystal, lights, as well as well placed
tables and benches nearby.
The lights are arranged inside and out to show the
architecture to dramatic effect.
On some level, it made me think more of Lincoln
Center than the Kennedy Center but both feel two dimensional by comparison.
You had somewhat of a sensory overload walking
around the place, as there were creative and innovative choices almost
everywhere.
Even in the rest rooms, when you wash your hands, the
water pours over your hands, and falls on this bright bronze colored metal that
is shaped in waves and bends in such a way as to allow the water to wash over its
contours channeled into an unseen drain, more like a river bed.
Many were there for a ballet.
We could have watched Swan Lake but we chose instead
an Australian drama.
The
play, Signs of Life, is a continuation of the lives of characters from the
world-renowned fiction writer, after Tim Winton’s “Dirt Music” and the characters from that
work, Luther Fox (Lu) and Georgie Jutland (Georgie).
The
author, Winton, said in an interview, "Over the years, I've got used to
the fact that characters from one book tend to pop up in later books at
different times."
“Signs
of Life” is set in the Moore River district, south of New Norcia, round
Mogumber, Gin Gin, Moora.
It
begins with a dark stage, only the sound of birds, wind, a windmill just
chunking over; and the sound of an approaching car in the dark.
Strangers
who need petrol have come to call but we don’t find that out right away..
You
can’t see Georgie, who runs an olive farm, but we don’t know that either, and
she’s in the dark and gradually her outline becomes visible until she is seen in
the dim light.
The
play is set in the future after five years of drought and, at the outset,
Georgie is suffering a drought herself.
Lu
and his sister are aborigine and thus the contrast with Georgie, a white
lady.
Winton
created, what he called, “the ultimate awkward social moment for her and for
them." She has lost her husband, a
widow, buried him herself, unlawfully, and is lost without him. They are looking for a farm and water to work
an elusive farm. They are lost.
There
is strong, almost impossible, isolation, for each of the three characters and little
to bind them at the outset. It’s all
very uncomfortable.
Lu
and his sister are going to stay the night and then leave … but, as the play
develops, they don’t.
The
question everyone in the theater was silently screaming was, "Where's this
going to go?"
The
visitors, Lu and his sister, Winton says, are “inheritors of the stolen
generation. They don't have any traditional links to country. They're coming
back for family reasons that Georgie in the house doesn't know about."
There
is also a spirit that speaks to Georgie of her husband and her loss and reveals
how she might revive her will to live.
The
contrasts work against each other until the barriers fall and each becomes
compatible with each other, resolving a mutually agreeable companionship.
It
was smart, fresh dialogue from an outstanding writer, striking notes we can all
appreciate but set against an Australian backdrop with its cultural inflection.
THE
BOTANICAL GARDEN
We
let our travels unfold the next day and made for the Botanical gardens where
they advise, “Please walk on the grass.”
We did past yellow cane and Eucalyptus stands, bronze statues, every
kind of flora, past fountains and ponds.
I’m a big fan of the Botanical Gardens in the Bronx, and This rivaled
that collection. I climbed a broad
limbed tree but was summoned to cease and desist and “come down now.” It was quite polite. Holly got some pix of the endeavor. The park officer explained that these older
trees can be harmed – so it was a precaution.
We
took a sunset cocktail cruise in the evening through the harbor.
THE
BLUE MOUNTAINS
Any
one you meet says you should visit the Blue Mountains. This was a two hour train ride, and then a
get on and off, at your discretion, bus ride to take trails through the forest
to study sheer long dropping waterfalls and rolling intersecting mountain
ranges, native parrots, and smoothly pock marked outcroppings that must have
been shaped by glaciers and/or the sea, like an Atlantis that has re-emerged.
Oh
yeah, Holly had a roo steak with an over-helping of vegetables. I had a ¾ foot veggie berger that challenged
my jaw’s ability to expand to bite the damn thing.
No
matter the beauty or the value of this fragile environment, we still found
carved initials in trees and nearby signs, on tables, signifying it’s not by
accident that what’s beautiful and natural is at risk in this world. Those who live in the moment, only to sate
their own impulsive and destructive appetites, and there are many among this
number, compromise us all.
KANGARIFFIC
We
found a tour, Kangarific, run by Sam, to see more wildlife, eat Australian chocolate,
cheeses and locally made wine. We think
that wine tasting is similar to wine drinking, just slower and more gradual in
its salutary effect. So we enlisted and
met Sam and 9 others at the Y near the Central Train Station.
After
our bus ride, we had a chance to hang out with more Roos and Koalas, a python,
and assorted other animals we handled and touched and managed to get caught on
camera.
We
had chocolate and cheese tastings and wine of course, lots of wine, whites and
reds, dry and sweet.
GOING
HOME
Our
only regret is that we saw so little. On
the other hand, you are welcome to use our experience as a starting point for
your own traveling checklist -- should you take the leap and travel down under
yourself.
While
I haven’t discussed it here, I found reading the papers, watching local tv, and
talking to the citizens of the New Zealand islands and of Australia quite
fascinating.
If
we didn’t think we were so great, so full of ourselves as Americans, and looked
beyond our own borders to study what others were doing, we could make America
more like the perfect society we always presume it is.
It
is striking how much more Australians know about us than we know about them. Their news discusses us a fair amount. But we don’t really consider what they are
doing. Anyhow, we had the time we needed
to get us out of our routine so that when we return we can do some of the same
things we chose to do and must get done but approach them differently.